DIY: Postcard Wall

I have a habit of picking up postcards and other papers, especially while traveling. While studying abroad in Lyon, I amassed quite a pile of wonderful postcards which I loved too much to send away or keep hidden in a stack of papers. I also had, on impulse, bought a box of postcards based off of the wonderful Paris vs. New York book (and blog, here). With all of those postcards crying out to be used, I thought I would make a small-scale art installation in my college room (also shown here with the tiny shelf makeover), and the vast wall by my bed seemed to be asking for something wonderful to fill its emptiness. I could have just taped them up to the wall (like I did in my NYC entryway), but I wanted them to have more substance—I think my NYC entryway works because it feels like a massive bulletin board, but this space in my Charlottesville room by my bed wasn’t going to have the same feel.

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Screen Shot 2015-08-23 at 12.18.39 AM

I love the look of a bunch of similar frames (who doesn't?!). Here's an image from the wonderful Nick Olsen in last month's Architectural Digest:

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Screen Shot 2015-08-22 at 11.47.58 PM

All red frames from Elle Decor:

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Screen Shot 2015-08-22 at 11.52.32 PM

Bigger scale here from Elle Decor:

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Screen Shot 2015-08-22 at 11.58.44 PM

One of my all time favorite rooms by Tom Scheerer. Love the wood frames!

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Screen Shot 2015-08-23 at 12.00.13 AM

Yes. (Elle Decor again)

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Screen Shot 2015-08-23 at 12.01.45 AM

This collection of black frames by Steven Gambrel (a fellow UVA alum! Wahoowa) makes my mouth water:

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Screen Shot 2015-08-23 at 12.04.13 AM

And how great is this grouping by the revered Ralph Lauren? (Seen on Little Green Notebook)

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Screen Shot 2015-08-23 at 12.08.36 AM

But, alas, all of those frames would’ve been pricier than I was looking for in this project. What I really wanted out of the “installation” was a 3-dimensional quality with the postcards popping off the wall.

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Screen Shot 2015-08-23 at 12.18.52 AM

To achieve this 3-D look, I glued foam core to the back of the postcards and then hung them on the wall. Foam core board is super cheap—I got several boards from the dollar store and cut them down to be about ¼” smaller on all sides of the postcard. I recommend using an x-acto knife and straight edge when working with foam core; it's so much faster than scissors, which don't give a clean edge anyway.

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Screen Shot 2015-08-23 at 12.17.06 AM

I realized when I cut down the foam core that the white foam showed on the sides of the cards and was rather unsightly, so I grabbed some black craft paint and quickly covered up the white foam with black paint.

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Screen Shot 2015-08-23 at 12.16.49 AM
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Screen Shot 2015-08-23 at 12.17.16 AM

After the paint dried, I used rubber cement (which I prefer to Elmer's glue when working with paper because it doesn't wrinkle) to attach postcard to foam core board.

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Screen Shot 2015-09-04 at 9.20.26 AM
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Screen Shot 2015-09-04 at 9.20.14 AM

Because the foam core backing covers up the writing on the back of the postcard, I wanted to make a note to remind myself later where the cards had come from. I had some labels lying around, so I recorded the necessary details on the backs that way:

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Screen Shot 2015-09-04 at 9.20.00 AM

Then I hung them all up... ta-da!

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Screen Shot 2015-08-23 at 12.18.39 AM

Do you have any great DIY ideas to share? Contact me here or in the comments below... I'd love to share them on The Spoonful! And happy Labor Day!

DIY I'd Like to Try: Pressed Leaves

Sarah Jessica Parker's home in Bridgehampton (as seen in Elle Decor here and pinned here) is as fabulous as one might expect. And would you believe those white tables are Ikea Lack side tables lacquered in white?! Start believing. I'm especially loving the pressed leaves on the walls: Screen Shot 2016-04-05 at 12.15.07 AM

A great DIY opportunity! I know I can be a little Martha Stewart-esque with my DIYs ("It's so simple, really..."), but this one really is so simple. There are tons of options for configuring the leaves, like this great image from Domino (pinned here):

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Aren't they gorgeous? If they're pressed between the pages of heavy books (with wax paper to protect the pages!), the color will be mostly preserved and they can then be arranged in gorgeous patterns, like this image from Interiors Addict (pinned here):

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The leaves could be framed in glass-on-glass (as shown above) or with a background--I love crisp white or kraft paper and a black or wood frame. Or skip the frame altogether, like in this photo from Country Living (pinned here):

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The options are endless! And it's a quick and thrifty DIY to fill up the walls. Win-win :)

Have you tried this DIY? Send it over or let me know in the comments below!

Before & After: Caroline's Vibey Living Room

Caroline is a dear friend of mine who lives in a marvelous, spacious apartment just outside of Boston. As she and her roommate were moving in, we started discussing how to make the most of this great space without breaking the bank, especially because she wasn't entirely sure how long she'd stay there. A few DIYs and much obsessing later, her living room is finished! Before:

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Great windows; furniture was a little sad.

After:

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Just by adding art to the walls, pillows on the sofa, and rugs on the floor, the room turned from blah to homey, cozy, and vibey. I mean, get a load of that gallery wall! Have you ever?! And the wall of records... I'm obsessed. I also love the layering of cowhide + natural fiber rug (as I wrote about here). Bien fait!

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Pancake dares you to lounge in her sun bathing spot. And what a great vintage trunk! (P.S. Check out my post on trunks as coffee tables here.)

Caroline had a bunch of album covers and saw images like this one (via Urban Outfitters and pinned here):

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... which inspired her to put up her own wall of covers on this wall with tricky moulding:

in progress

Finished! And GO HOOS!

I love how Caroline used that tricky moulding to her advantage and turned it into a sort of frame for her covers. Such a great way to fill the walls (inexpensively) with a big effect.

I'm so impressed at how it ALL turned out. Thanks for sharing your before and after, Caroline!! Mwahh :)

Do you have a room or DIY you'd like to share on The Spoonful? Let me know in the comments below!

Artist Spotlight: Gregg Emery

Welcome to another Artist Spotlight! This spotlight is extra special because the artist has a show opening NEXT THURSDAY at the Agora Gallery in Chelsea. Here is the press release and here is the Facebook invite--spread the word! (And if you're part of the Virginia Club of New York, we're having a tour Saturday, March 12 from 4-5pm with Gregg himself. Mark your calendars!) Gregg Emery--teacher, artist, and generally amazing person--and I met because our easels were side by side at an open house at the National Academy on the upper east side (they have open houses throughout the year--if you're in the city, check it out!).

Gregg in front of a display of his drawings
Gregg in front of a display of his drawings

We've kept in touch and now he's on my blog: reason #476 why I love NYC. Gregg makes these fantastic abstracts that are terrific in photos but even more terrific in person (like at his show at Agora, ahem ;) ). Without further ado, I'll let him tell his own story...

Gregg Emery was born in Bombay, NY, a rural community outside Montreal filled with dairy farms and bordering the Akwesasne Mohawk Reservation. In a town with few creative stimuli and even fewer traffic lights, Emery sketched at the earliest age wherever and whenever possible; his grandest dream was making it to New York City. An even farther thought was having numerous exhibitions of his work, with collectors from across the globe.

Gregg Emery received his Bachelor of Arts with departmental distinction from Hartwick College and a Masters in Fine Art from the Maryland Institute, College of Art, where he studied under Babe Shapiro, Power Boothe, Hermine Ford and Sal Scarpitta. He is currently the Chair of the Visual Arts and Art History department at the Trinity School in Manhattan, a private, coeducational K-12 school. Emery enjoys teaching art & art history, sharing his knowledge and experience with a younger generation. His artwork is included in numerous private and public collections including the permanent collection of the Baltimore Museum of Art. Gregg Emery is represented by the Agora Gallery in New York City.

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Screen Shot 2015-10-03 at 4.02.26 PM

The Spoonful: Describe your style in 5 words:

Gregg: dramatic, beautiful, athletic, powerful, meditative

Convergence
Convergence

The Spoonful: Art background?

Gregg: BA In Studio Art from Hartwick College, MFA from Maryland Institute, College of Art, Apprentice at the Fabric Workshop in Philadelphia, PA

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Screen Shot 2016-03-03 at 8.36.37 AM

The Spoonful: Whose work do you most admire?

Gregg: Tough question, I love so many artists for so many reasons… I think my family first and foremost, I have so many members of my family who are artists but claim they are not. My great-grandfather who carved amazing wood sculptures and wonderfully detailed drawings... my father, housebuilder turned math/ computer teacher, car mechanic and now keeps bees and repairs/ rebuilds antique clocks. My mother who plays organ/ piano and is a poet with her weekly local newspaper column. The hardwork coupled with humility is what I hope to take away or hope it is in my genes.

More traditional type artists? Hmmm, Caravaggio, huge fan… also RembrandtRothko (his meditative paintings blow mine away)… contemporary I do enjoy Andy Goldsworthy (artwork also found here) & Yayoi KusamaTakashi Murakami and others. I also have drawn inspiration from many street artists… C215BanksyOs Gemeos just to name a few.

Red calm
Red calm

The Spoonful: Where do you find your inspiration?

Gregg: Inspiration for me comes from many places… The colors I choose actually come from things I see around me. Recent ones are from movies... from James Bond, Twilight, and even a recent set of pieces inspired by colors in the classic scene in Raiders of the Lost Ark when Indy reaches for the golden idol. The gold, Indy's brown jacket, and this shimmering blue light all make it into the painting. Color is so powerful, triggering memory, hunger, depression, exhilaration and everything in between… Movies are modern mythology, religion or meditation… to me, movie makers are the gods, the creators of worlds, akin to the masters of the Renaissance. I also take color inspiration from travels including a series based on a trip last year to Morocco, markets in Taiwan, even shells from Fire Island or a dessert from a fellow artist, pastry chef & muse. Although these colors may come from specific places, people or moments, I encourage them to trigger your own train of thoughts, and I do hope you enjoy these worlds I created as much as I did making them.

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Screen Shot 2016-03-03 at 8.36.07 AM

The Spoonful: Ideal workspace consists of...?

Gregg: Lots of space, lots of light, a projection screen (I like to have a movie playing (without sound) while I work), no interruptions. Mostly I work at night and I love when no one is around.

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The Spoonful: Greatest piece of advice on being an artist (creating, surviving, anything) that you've received? That you can give?

Gregg: Best piece of advice? I've received much advice over the years. One from my parents, you can learn something from everyone so listen carefully and don’t judge a book by its cover, age, gender or anything else that might stand in the way of authentic communication. Draw everyday, drawing is key, it is the way we think, see the world and make sense of things. Learn from art history, dig deeply into the past to learn your place in the world and find your way into the future. From a student, never become a parody of yourself.

Piao Liang
Piao Liang

The Spoonful: Five things you can't live without?

Gregg: (hmmm OK Cupid?) alright, 1. Sketchbook 2. Passion 3. Water 4. Breath 5. Silence

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The Spoonful: Where can we find your work?

Gregg: I am currently represented by the Agora Gallery, NYC in Chelsea. I have also shown with the Vogelsang Gallery of Belgium. You can find me on ArtSlant and collaborating with great people like the Shadow People Project and the NY Poetry Society. I also have a piece in the permanent collection of the Baltimore Museum of Art.

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Screen Shot 2016-03-03 at 8.35.21 AM

The Spoonful: Anything else we should know??

Gregg: You should really probably know at least one of the names of the members of the Ramones if you’re going to wear their T-shirt (that was the first live concert I heard.) Also you should know that my college roommate for 3 years was Lizardman, the guy tattooed from head to toe and I also find him incredibly inspiring as an artist. Sincere, intelligent, and who can challenge his commitment? Well, if you did he could eat you so I wouldn’t try it.

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Screen Shot 2016-03-03 at 8.34.49 AM

Gregg's show at the Agora will run until March 29. Go check it out--and let him know you heard about the show on The Spoonful!

Gregg is also working on a couple of new collaborations including one with a group of professional dancers, the Sydney Schiff Dance Project, whose costumes he painted--they'll be at his opening night, Thursday, March 10, wearing the costumes! He can also often be found at the Poetry Brothel, drawing the poets and those listening to them! Also check out his drawings and other sketchbook work on tumblr, instagram (@aplsd21), and twitter.

Thanks so much Gregg!!

If you know of an artist who'd like to be featured on The Spoonful's Artist Spotlight, let me know here!

Artist Spotlight: James Erickson

The Artist Spotlight is back! This time I was lucky enough to check in with the wonderful James Erickson, an oil painter in Maryland and a fellow UVA alumni. I love how effortless and calming his paintings feel--and I think you'll feel the same. Screen Shot 2015-10-03 at 3.15.07 PM

The Spoonful: Describe your style in 5 words:

James: I do my best work when I stop worrying about painting with a certain style. My paintings are representational in the sense that they depict real places and people that I encounter. Usually I start out fast, loose and abstract then bring about more order as the work progresses.

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The Spoonful: Art background?

James: I fell in love with drawing and painting as a child. I studied painting at The University of Virginia and continued at The Pennsylvania Academy of the Fine Arts (PAFA) for an MFA.

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The Spoonful: Whose work do you most admire?

James: John Singer Sargent, Joaquin Sorolla, Winslow Homer...

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The Spoonful: Where do you find your inspiration?

James: Sometimes I see a person or a place that I am inspired to paint but more often it is the process of painting itself that I find inspiring. It is very rewarding to discover beauty in an unlikely subject.

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The Spoonful: Ideal workspace consists of...

James: ...working in natural light with the landscape and/or a model.  It is exciting to work with the changing conditions.

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The Spoonful: Greatest piece of advice on being an artists (creating, surviving, anything) that you've received? That you can give?

James: Stick to what you know. Make art from your surroundings. Develop a daily discipline for your work.

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The Spoonful: Five things you can't live without?

James: My faith and my family. Sleep and exercise. Books.

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The Spoonful: Where can we find your work?

James: My studio is in Poolesville, MD. I also have paintings hanging at Village Gallery in Culpeper, VA. You can find my work online here, on instagram (@jamesdeanerickson), and on Facebook (jamesericksonart).

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The Spoonful: Anything else we should know?

James: I am a husband and father to three young children. Finley (4 years), Joseph (2 years) and Julia Rose (9 months).

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James also updates his tumblr often--it's well worth following. Do it! Now! Thanks so much for sharing your story, James!

If you'd like to share an artist to spotlight on The Spoonful, let me know!

Artist Spotlight: Myla Seabrook

Regardless of the city or circle or stage of life, I've met so many fantastic artists, and I'm taking this chance to show them off through my Artist Spotlight series. Meet Myla Seabrook!

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Myla and I worked together last summer, and I was immediately enthralled with her fearless use of color in the terrific landscapes she creates. She was recently featured by Cultation, and her work is really fantastic. She's better at telling her story for herself, so I'll let her!

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The Spoonful: Describe your style in five words. Myla: Colorful, loose, whimsical, nostalgic sometimes, happy

Screen Shot 2015-07-27 at 4.11.24 PM The Spoonful: What is your art background? Myla: I attended the High School of Art and Design and majored in Fashion Illustration there (random, I know, but I loved it), then went to Hofstra University and majored in Fine Art with a concentration in painting. Over the course of my studies I have created drawings, collages, paintings, sculptures, and various clothing designs. I also interned with the West Harlem Art Fund and completed a residency at Brooklyn Art Space.

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The Spoonful: Whose work do you most admire? Myla: Albert Bierstadt. He has a huge painting in the Brooklyn Museum (my favorite) that inspired me even when I was too small to be able to create something so large. He was a landscape painter that managed to capture the drama of skies and sweeping vistas perfectly with every painting, and he also worked in the super large sizes that I someday hope to have the space to produce.

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The Spoonful: Where do you find your inspiration? Myla: In nature. I spend a ridiculous amount of time staring at the sky or at trees, shadows on grass, the land around me when I'm up on a mountain or a bridge or in a plane, the colors of flowers. I love being awed by natural beauty, as I feel reminded of the majesty of the earth in moments like those. I am also inspired by books. I read a lot of science fiction and supernatural stuff, and I don't think anyone can create a fantasy world quite like science fiction writers can.

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The Spoonful: Your ideal workspace consists of... Myla: A large table so I can space things out (I'm a messy person but I get kind of surgical about the layout of my workspace; brushes over here, paper towels over there, paints in the bin along the back...), an easel or two depending on whether or not I'm working on two paintings at a time, and a large wall to tack up some canvas and make a huge piece. Since we're talking ideal here, a ladder would be great too, because I have alllll that wonderful dream space. I also like a good wifi connection and a comfy chair. Sometimes I can spend twenty minutes scrolling through googled reference photos before I feel ready to put paint on the canvas.

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The Spoonful: Greatest piece of advice on being an artist (creating, surviving, anything) that you've received? That you can give? Myla: The road to success is winding. And you get there when the time is right. My mom is always coaching me on patience and trusting myself, and I think that, when you're self-employed, those things are incredibly important. Sometimes my path leads me places I didn't plan on being; lately, life has been about adapting to new situations and making the best out of them, assuming that staying focused on my goals/ willing to work and learn will get me to the things I want. So far, so good!

Screen Shot 2015-07-27 at 5.28.25 PM The Spoonful: Five things you can't live without? Myla: My cellphone (I hate admitting that but there it is), mostly for the Kindle reading, the texting, and the web browsing. I have all the social media accounts in the world but I'm too lazy to be super active on them. A sketchbook or journal Nail polish (if I can't paint a canvas, may as well paint my nails, am I right?) Books. Actual physical books. Sunlight. Not just for the vitamin D... I really, really love natural light.

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The Spoonful: Where can we find your work? Myla: No shows at the moment, but I'm always open to setting up a studio visit at Brooklyn Art Space for people who'd like to see what I'm currently working on. (Editor's note: Myla's art can be seen on her website and Facebook, too.)

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The Spoonful: What's coming up next for you? Myla: Currently, I'm working on achieving my goal of making larger paintings, mainly through mural commissions. I've also been working on some concept design for books and book covers, so that's hopefully something the public will see from me soon!

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Thanks for sharing your story, Myla! Can't wait to see what's next :)

Do you know of an artist to be featured on The Spoonful's Artist Spotlight series? Let me hear it! Email me at lucyclarespooner@gmail.com.